Opinion

Edgar Wright’s “Baby Driver” is a stylized, musical romp through the action film genre that not only banks on the visual flair of whimsical and intense car chases but a standout cast of characters. The narrative is tight, the action, for the most part, do

The plot? Well, it’s there. Does it make sense? No. Do the filmmakers care? It doesn’t feel like it. The exposition is excessive and most of the time it just complicates what could have been a simple action romp through the past.